In my work, nature and abstraction are inextricably connected. After painting landscapes and botanicals for some time, I’ve arrived at a living, organic abstraction. My recent paintings are not strictly abstractions. They refer to both the dynamic microcosm of nature in cells and molecules and the macrocosm of the universe.
Art News, May, 1990. Review by David Hornung.
Arts Magazine, Jan. 1988. Review by Everett Potter.
Art News, March, 1988. Review by Nancy Grimes.
Philadelphia Enquirer, Dec. 27, 1987. Review by Stephen Salisbury.
New York Times, June, 1986. Review by Michael Brenson.
New York Times, Jan 11, 1987. Review and repro by Vivian Raynor of “A Contemporary View of Nature”, Aldrich Museum, Ridgefield, CT.
Washington Post, March, 1987. Review by Paul Richards.
Hirshhorn New Directions 1986. Catalog essay by Phyllis Rosenzweig, Curator.
Arts Magazine, Apr. 1984. “The New American Landscape” by Hearne Pardee.
Arts Magazine, Dec. 1982. “Visionary Landscape” by Mary Lublin.
Connecticut Bank & Trust
Sunrise Museum, Charleston, W. VA
U.S. Comptroller of the Currency
Corcoran Gallery of Art
Board of Directors, Joan Mitchell Foundation.
Oberlin College B.A.
University of Wisconsin M.A.